纪录片,短片类型战地明信片本片作者Mark Grimmer由LysanderAshton执导，等共同演绎于2018年在英国发行片长6分32，透过明信片看到战场的样貌，却无法看见全部，也无法看见更多。是一个对后方亲属焦急心情的绝妙再现。VR交互。场景稍微单一了点（仓库、房内、战车内、战壕），还重复多次，分辨率似乎也不高。身体360度旋转体验不错，可以抬手控制信件，可惜看不大清具体。VR这清晰度，做这个也真是太高估它的性能了吧。字小得不能再小（还是手写体），刚对上焦信就飞走了，这看啥……？#9thBJIFF#真的很感人，一战故事，战壕与住宅走廊等等多处用到叠化+匹配剪辑，运动引导、场景转换都做得非常有想法。有一定程度的交互不过基本可以忽略。挺一般的。15？

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　　During the first world war millions of multiple choice postcards were sent home by soldiers from the trenches Nothing except a signature was allowed to be written on the card – communication could only take place through prescribed phrases Nothing to be Written is a VR artwork inspired by the messages on these postcards and the circumstances under which they were written and